“Slacker,” director Richard Linklater’s 1991 debut feature,unfolded a daisy-chain of Austin bohemian mavericks, and otherwise gonzo 20-somethings, weaving in and out of one another’s lives in a surreal roundelay. Their means of support were uncertain and minimal. Many were former University of Texas students and expressed vague anarchistic or new-age metaphysical beliefs. But they were […]