Primum Non Nocere
Film scholars have commented upon the native power of the documentary medium to convey the impression of unmanipulated reality. The intimation of ‘truthiness’ – Steve Colbert’s delectable mot – becomes especially pernicious in a thankfully rare subgenre I’ll call the ‘ill-intentioned’ documentary. Here, the maker’s attitude towards some painful psycho-social problem is subverted by the […]